Meet Utagawa Hiroshige The Influential Japanese Artist Turned Monk

Utagawa Hiroshige was such a talented artist that he inspired Van Gogh and Monet. But in 1856, the famous woodblock printer “retired from the world” to become a Buddhist monk.

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1 of 28Thirty-Six Views of Mount Fuji - #3. Sukiyagashi. Wikimedia Commons 2 of 28Part of the series One Hundred Famous Views of Edo, no. 046, part 2: Summer. Yoroi Ferry. Wikimedia Commons 3 of 28Eight Views of Ōmi - #6. Descending Geese, Katata, 1834. Wikimedia Commons 4 of 28Part of the series, One Hundred Famous Views of Edo, no. 036, part 1: Spring. View From Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya. Wikimedia Commons 5 of 28Part of the series One Hundred Famous Views of Edo, no. 097, part 3: Autumn. Five Pines, Onagi Canal. Wikimedia Commons

6 of 28Fujisawa on the Tōkaidō, The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons 7 of 28Eight Views of Ōmi - #3. Autumn Moon At Ishiyama Temple. Wikimedia Commons 8 of 28Hiratsuka on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons 9 of 28Kanbara, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons 10 of 28Eight Views of Ōmi - #5. Returning Boats, Yabase.
Wikimedia Commons 11 of 28Part of the series One Hundred Famous Views of Edo, no. 111, part 4: Winter. Meguro Drum Bridge and Sunset Hill.Wikimedia Commons 12 of 28Horikiri Iris Garden (Horikiri no hanashōbu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei). Wikimedia Commons 13 of 28Se futamigaura (Futami Bay in Ise Province). No. 27 in the series Thirty-Six Views of Mount Fuji. Wikimedia Commons 14 of 28Hiroshige’s Eight Views of Kanazawa: Autumn Moon. Wikimedia Commons 15 of 28From the series The Sixty-Nine Stations of the Kiso Kaidō (1834-1842). This is View 28 and Station 27 at Nagakubo, depicting the Wada Bridge across the Yoda River. Wikimedia Commons 16 of 28The Fifty-Three Stations of the Tōkaidō - #1. Nihonbashi. Wikimedia Commons
17 of 28Odawara on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons 18 of 28Oiso on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

19 of 28Plum Park At Kameido, from the One Hundred Famous Views of Edo series.Wikimedia Commons 20 of 28Hiroshige’s “A Shrine Among Trees On A Moor.”
Wikimedia Commons 21 of 28Sokokura, from the series Seven Hot Springs of Hakone. 1852.
Wikimedia Commons 22 of 28Station Hodogaya, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons
23 of 28Station Totsuka, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons
24 of 28Sudden Shower Over Shin-Ohashi Bridge, from One Hundred Famous Views of Edo. Wikimedia Commons

25 of 28Suido Bridge and Surugadai, from One Hundred Famous Views of Edo. Wikimedia Commons

26 of 28Sumida River, the Wood of the Water God, at Masaki. From the One Hundred Famous Views of Edo series. Wikimedia Commons

27 of 28Travelers surprised by sudden rain, as depicted by Hiroshige, “the last great master of ukiyo-e.” Wikimedia Commons

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27 Images That Prove Hiroshige Was The Undisputed Master Of Japanese Woodblock Printing View Gallery

In the 19th century, Utagawa Hiroshige became one of Japan’s most revered artists in the world of ukiyo-e, or woodblock printing and painting. Hiroshige’s use of color and poetic nature made him a master of the genre. Some critics say he was the last great master of this craft.

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25 of 28Suido Bridge and Surugadai, from One Hundred Famous Views of Edo. Wikimedia Commons

26 of 28Sumida River, the Wood of the Water God, at Masaki. From the One Hundred Famous Views of Edo series. Wikimedia Commons

27 of 28Travelers surprised by sudden rain, as depicted by Hiroshige, “the last great master of ukiyo-e.” Wikimedia Commons

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25 of 28Suido Bridge and Surugadai, from One Hundred Famous Views of Edo. Wikimedia Commons

26 of 28Sumida River, the Wood of the Water God, at Masaki. From the One Hundred Famous Views of Edo series. Wikimedia Commons

27 of 28Travelers surprised by sudden rain, as depicted by Hiroshige, “the last great master of ukiyo-e.” Wikimedia Commons

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25 of 28Suido Bridge and Surugadai, from One Hundred Famous Views of Edo. Wikimedia Commons

26 of 28Sumida River, the Wood of the Water God, at Masaki. From the One Hundred Famous Views of Edo series. Wikimedia Commons

27 of 28Travelers surprised by sudden rain, as depicted by Hiroshige, “the last great master of ukiyo-e.” Wikimedia Commons

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1 of 28Thirty-Six Views of Mount Fuji - #3. Sukiyagashi. Wikimedia Commons

2 of 28Part of the series One Hundred Famous Views of Edo, no. 046, part 2: Summer. Yoroi Ferry. Wikimedia Commons

3 of 28Eight Views of Ōmi - #6. Descending Geese, Katata, 1834. Wikimedia Commons

4 of 28Part of the series, One Hundred Famous Views of Edo, no. 036, part 1: Spring. View From Massaki of Suijin Shrine, Uchigawa Inlet, and Sekiya. Wikimedia Commons

5 of 28Part of the series One Hundred Famous Views of Edo, no. 097, part 3: Autumn. Five Pines, Onagi Canal. Wikimedia Commons

6 of 28Fujisawa on the Tōkaidō, The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

7 of 28Eight Views of Ōmi - #3. Autumn Moon At Ishiyama Temple. Wikimedia Commons

8 of 28Hiratsuka on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

9 of 28Kanbara, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

10 of 28Eight Views of Ōmi - #5. Returning Boats, Yabase.
Wikimedia Commons

11 of 28Part of the series One Hundred Famous Views of Edo, no. 111, part 4: Winter. Meguro Drum Bridge and Sunset Hill.Wikimedia Commons

12 of 28Horikiri Iris Garden (Horikiri no hanashōbu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei). Wikimedia Commons

13 of 28Se futamigaura (Futami Bay in Ise Province). No. 27 in the series Thirty-Six Views of Mount Fuji. Wikimedia Commons

14 of 28Hiroshige’s Eight Views of Kanazawa: Autumn Moon. Wikimedia Commons

15 of 28From the series The Sixty-Nine Stations of the Kiso Kaidō (1834-1842). This is View 28 and Station 27 at Nagakubo, depicting the Wada Bridge across the Yoda River. Wikimedia Commons

16 of 28The Fifty-Three Stations of the Tōkaidō - #1. Nihonbashi. Wikimedia Commons

17 of 28Odawara on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

18 of 28Oiso on the Tōkaidō, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

19 of 28Plum Park At Kameido, from the One Hundred Famous Views of Edo series.Wikimedia Commons

20 of 28Hiroshige’s “A Shrine Among Trees On A Moor.”
Wikimedia Commons

21 of 28Sokokura, from the series Seven Hot Springs of Hakone. 1852.
Wikimedia Commons

22 of 28Station Hodogaya, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

23 of 28Station Totsuka, from The Fifty-Three Stations of the Tōkaidō. Wikimedia Commons

24 of 28Sudden Shower Over Shin-Ohashi Bridge, from One Hundred Famous Views of Edo. Wikimedia Commons

25 of 28Suido Bridge and Surugadai, from One Hundred Famous Views of Edo. Wikimedia Commons

26 of 28Sumida River, the Wood of the Water God, at Masaki. From the One Hundred Famous Views of Edo series. Wikimedia Commons

27 of 28Travelers surprised by sudden rain, as depicted by Hiroshige, “the last great master of ukiyo-e.” Wikimedia Commons

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27 Images That Prove Hiroshige Was The Undisputed Master Of Japanese Woodblock Printing View Gallery

27 Images That Prove Hiroshige Was The Undisputed Master Of Japanese Woodblock Printing

View Gallery

However, his road to mastery was paved with tragedy and devastating loss. As a young boy, Hiroshige lost his parents and his sister — and later channeled his grief into creating beautiful, delicate landscapes that are still revered today. Take a closer look at some of the most renowned artworks produced by Hiroshige in the gallery above.

Utagawa Hiroshige’s Early Life

Born Andō Hiroshige in 1797, Utagawa Hiroshige was raised in the Yaesu area of Edo (modern-day Tokyo). Hiroshige’s father was the fire warden for the brigade that served Edo Castle. It was the residence of the shōgun and the military capital during the Edo period of Japanese history.

Hiroshige’s family was Samurai, which was the highest of the four castes in Japan at the time. This meant his father’s post as fire warden was hereditary, and entitled to him in the name of civil service.

He had three sisters, one of whom died at the age of three. Tragically, in 1809, young Hiroshige’s mother died as well.

Wikimedia CommonsMemorial Portrait of Hiroshige, by Kunisada.

Perhaps in the face of this loss, or even with a premonition of what would come, Hiroshige’s father dutifully passed down the job of Edo Castle’s fire warden to him. Not long after this, he also died. And with that, Hiroshige was left a 12-year-old orphan and fire warden, with little family left.

Fortunately for Hiroshige, his job wasn’t demanding. It actually left him a lot of leisure time. Since he also made a decent wage, he was able to explore his true passions — like painting — around the age of 14. He even applied to Toyokuni’s prestigious painting school, but there was no room at the time.

Then, a kindly librarian put him in touch with a famed ukiyo-e artist, Toyohiro, and Hiroshige soon became his apprentice. During this time, he got the chance to study many artistic techniques. Soon, the orphan was producing work suitable for book illustrations, as well as images of kabuki figures and narrative illustrations of comic poems.

However, he was destined to become much more.

The Road To Fame

Hiroshige later married Okabe Yuaemon, the daughter of a fireman, in 1821. That same year, the couple welcomed a son named Nakajirō. And in his professional life, Hiroshige focused on creating woodblock prints, many of which emphasized singular figures.

But in 1829, Hiroshige began working on landscapes — the subject matter that he would soon master.

In 1831, inspired by a landscape painter named Katsushika Hokusai, Hiroshige published his first series: a 10-parter called Famous Views of the Eastern Capital. Soon after, he received an invitation to join an official procession that involved transporting horses to Kyoto for the imperial court in 1832.

Clare Pollard, the curator of Japanese art at the Ashmolean Museum, discusses a print created by Hiroshige.

During this trip, Hiroshige traveled along the Tōkaidō route that connected Edo to Kyoto. It was the most important of the five roads that linked Edo with the rest of Japan. There were 53 post stations along the route to Kyoto. And he got the opportunity to sketch throughout the entire trip.

Clare Pollard, the curator of Japanese art at the Ashmolean Museum, discusses a print created by Hiroshige.

Upon his return to Edo, he presented the series The Fifty-Three Stations of the Tōkaidō, which contains some of his best-known work in his legacy today. He followed up his big success with the Illustrated Places of Naniwa, Famous Places of Kyoto, and Eight Views of Ōmi.

And in the meantime, Hiroshige passed the hereditary position of the fire warden down to his son, Nakajirō.

The Death And Legacy Of Hiroshige

In 1856, Hiroshige “retired from the world,” and became a Buddhist monk. This was when he began his influential One Hundred Famous Views of Edo. He died two years later in his early 60s.

Although he died during the great Edo cholera epidemic of 1858, it’s unclear whether the disease claimed his life. And even though he had been famous and prolific, he was not wealthy at the time of his death. He even had to leave behind instructions on how to pay his debts.

He was buried in a Zen Buddhist temple. At some point before his death, he wrote this farewell poem:

Throughout his life, Hiroshige created some 8,000 works, and he remains a legendary figure in the art world today. Many other famous artists have been inspired by him. For instance, Van Gogh created Bridge in the Rain (1887) in tribute to Hiroshige’s Sudden Shower Over Shin-Ohashi Bridge and Atake.

Wikimedia CommonsView of the Whirlpools at Awa, by Utagawa Hiroshige. 1857.

The French Post-Impressionist painter Paul Cézanne was also familiar with Hiroshige’s prints. Art historians have noted that Cézanne’s approach to perspective is similar to that in The Fifty-Three Stations of the Tōkaidō.

Monet and other Impressionists were also greatly influenced by Japanese artists — including Hiroshige. Even American artist James Abbott McNeill Whistler created paintings that show compositional and thematic similarities to Hiroshige. But despite the similarities, most people will always remember Whistler by his famous portrait of his mother.

The Fifty-Three Stations of the Tōkaidō is considered Hiroshige’s magnum opus. But his legacy will never be bound to just one series of artworks. In the words of Russian artist Mstislav Dobuzhinsky: “I liked to choose a viewpoint of my own so that the composition would be striking, unusual; in that, I had the constant example of Hiroshige before my eyes.”

After learning about Utagawa Hiroshige, find out what the West misunderstood about Japanese geishas. Then, see 55 photochrom images that look like they’re straight out of a fairytale.

Utagawa Hiroshige was such a talented artist that he inspired Van Gogh and Monet. But in 1856, the famous woodblock printer “retired from the world” to become a Buddhist monk.#

Utagawa Hiroshige’s Early Life#

The Road To Fame#

The Death And Legacy Of Hiroshige#

Utagawa Hiroshige was such a talented artist that he inspired Van Gogh and Monet. But in 1856, the famous woodblock printer “retired from the world” to become a Buddhist monk.

Utagawa Hiroshige’s Early Life

The Road To Fame

The Death And Legacy Of Hiroshige